COURAGEOUS NINA

FASHION INSIGHT  

A WOMAN WITHOUT AN IOTA OF DISCOURAGE

Image Courtesy of Nina Nikicio

In this world where prejudice and preconceived thoughts of others ruled a person's decision, one must ask themselves whether to follow this unfavorable thoughts or to act against it and act in what they believe. Choices need courage, are we supposed to do the things that people expect us to do? Or are we suppose to do things that we love and believe? Many times the design industry is seen as something which has a vague future, especially with fashion design  of ready to wear clothing in Indonesia where the industry is ruled by global fashion labels such as Zara, Topshop, Banana Republic, etc. Are we suppose to give in to those challenges and prejudice? No. All you need to do is to be courageous, one girl proved it and right now she's one of the most sought after ready to wear designer in Indonesia, her name is Nina. Nina Nikicio.

Prasangka dan pikiran yang menghakimi telah sejak lama mendikte setiap tingkah laku seseorang. Oleh karena itu dalam menghadapi situasi sebagai demikian seseorang harus bertanya kepada dirinya sendiri; haruskah saya bertindak sesuai terhadap prasangka dan tuntutan umum ini? Atau haruskah saya bertindak melawannya untuk membuktikan apa yang saya ketahui dan saya yakini? Sering kali indutri desain digambarkan untuk memiliki masa depan yang tidak jelas, terutama fesyen desain bagi lini siap pakai dimana industri ini dikuasai oleh merek-merek fesyen global seperti Zara, Toshop, Banana Republic, dll. Apakah kita harus menyerah terhadap prasangka dan praduga yang menghakimi ini? Tidak. Satu hal yang harus seseorang lakukan ialah untuk memiliki keberanian, satu individu telah membuktikan keberanian tersebut dan hari ini beliau merupakan salah satu desainer pakaian siap pakai paling dicari di Indonesia, ia bernama Nina. Nina Nikicio.

Image Courtesy of Nina Nikicio

In this post, we will try to inspire you through Nina Nikico's life journeys; how even since she was a little girl she has always knew where her future and passion lies upon, how she question herself in her youth and then pull through it with the rough remarks from her parents, and how she beliefs that courage is the key of being a successful individual. 

Dalam post ini, kami akan mencoba untuk memberikan insiprasi Anda melalui jalan hidup seorang Nina Nikicio. Bagaimana Nina, sejak masa kecilnya sudah mengetahui dimana masa depannya dan hal apa yang harus ia lakukan di dalam hidupnya, begitu juga bagaimana di dalam masa remajanya ia mulai mempertanyakan tujuan hidupnya dimana ia berhasil bangkit melalui dukungan "keras" orang tuanya, bagaimana Nina percaya bahwa keberanian adalah kunci dari kesuksesan.

ENGLISH VERSION

Could you describe us a bit of what you were like in elementary school or junior high? Were you the kind of gal who was all about fashion and hung out with people who was into fashion?

I think you can say that i'am a weird girl. You see i was in St. Ursula for elementary school and junior high, but then in highschool i switched school to Bina Nusantara where i majored in arts. So you could probably say i'm weird... (Laughs) Artsy i was! Arts.

So you were artsy. Then is it true that you always knew that fashion is your life's calling? Or were you like one of us, who are still confused with what should we do with our life? If so since when did you know?

Junior high... No! Elementary... No! The eighth grade! Yes, i remember it exactly that in the eighth grade i knew i want to be a modern fashion designer. So i started to drew things, so that one day i could be a fashion designer. But when i was in the eleventh grade though... I seriously considered on becoming a professional painter. But then my dad was like "What are you going to eat with that profession?" (Laughs) So i went back to the original plan.

You were going to paint? (Laughs) Tell us, who inspires you into becoming a fashion designer? Or what kind of life's experience that you went through that enabled you the thought of becoming into a designer? 

I think it was around kindergarden, my grandmother owns a fabric store, and a lot of the times i spent my time there. With all of that fabrics, i played and pretend i was this alien monsters made out of fabrics (Laughs). That's probably is the beginning of my love towards textile. Since then i always love quality fabric, ones that are great, ones that have quality, and ones that are comfortable to be worn. I dislike fabrics that you know is easily ruin when you feel it, i dislike fabrics that are rough and low in quality. So that's why Nikicio as a brand always pick the quality fabrics. 

So when you were in the eighth grade, did you tell your parents that you wanted to be a designer? What was their reaction? 

My parents were okay with it, they never disapprove me  for my choice. They let me be who i wanna be. They only question me that one time... Professional artist/painter?  "What are you going to eat?"

Do you have any other interest? Other hobby? If you could be anything you want, what will you be?  

I don't think there's any other profession that i have interest in. (Laughs) I really don't know how to answer that question. If somebody asks me what i would like to do if i weren't a fashion designer, i would always answer them "a stylist". Fashion yet again.

Do you have any future goal for Nikicio as a brand? Where do you want to market it, other than in Indonesia and Singapore?

Umh, we're going to try Hong Kong, Asia primarily. We tried Australia before, and it didn't work. But that's okay, we're gonna keep on trying! You know our label is still considerably very young, its only 4 years old. So... There's still a lot of rooms to grow, there's a lot of rooms to improve.   

Last question! When you first launch Nikicio it was back on 2007 yes? And we felt that Nikicio was particularly groundbreaking in terms of selling methods and market segment, because back then online shopping is still something that's new, and local brand were just starting to lift off. From these experience do you have any advice for a designer-to-be out there?

Just be courageous. You know... Don't care what anybody say. Because me, myself when i first started this business, no body was doing ready to wear, all were couture. But i gain my courage and keep ON doing my ready to wear. And people were like "Kok?!" But that's me.... "Emang kenapa? Gue memang ga suka evening wear gitu. Itu bukan style gue." I do realize that every once in a while i have to put on a gown, probably i'm going to wear one for my wedding. What i'm trying to say is that i want to make a wearable clothing, for people and for me to wear, clothes that are easy and effortless. 

So. You're gonna be designing your own wedding gown? 

Insyaallah... (Laughs)

INDONESIAN VERSION

Bisa tolong jelaskan, dulu ketika di elementary school atau junior high seorang Nina Nikicio itu seperti apa? Apakah dari semasa sekolah sudah hang out dengan teman yang menyukai fesyen? Atau? 

Dari dulu, gue kayaknya... Aneh ya. Gwe masuk Santa Ursula waktu SMP. SD, SMP terus waktu SMA gue masuk Bina Nusantara dan memang udah langsung mengambil arts. Jadi gue emang aneh mungkinnya. (Tertawa) Memang seni gue.... seni.

Oh, jadi memang dari dahulu sudah artsy ya. Lalu apakah dari dulu memang Nina sudah tahu bahwa fesyen sebagai life's calling? Atau apakah Nina seperti kami ini nih? College students yang masih terbilang bingung dengan jalan hidup.

SMP... Kayaknya SD deh... SMP kelas dua! Gue inget banget. SMP kelas dua gue inget banget bahwa gue pengen menjadi  modernization designer. Jadi gue dah mulai gambar-gambar segala macem, itu semuanya pas SMP kelas dua. Tapi pas kuliah, eh pas SMA kelas dua sempet berkeinginan menjadi pelukis. Cuma gue diomelin sama Bapak gue, "Loe mau makan apa nyet?"(Tertawa) Jadi akhirnya balik lagi... 

Pelukis? (Tertawa) Lalu siapa sih yang menginspirasi Nina menjadi fesyen desainer? Atau pengalaman apa yang menginspirasi Nina menjadi fesyen desainer? 

Kayaknya sih dari kecil... Dari TK kalau ga salah, itu oma gue punya toko kain. Terus waktu TK itu, gue-kan selalu dititipin di rumah oma gue, dan gue suka pura-pura jadi monster kain dari luar angkasa (Tertawa) Jadi mungkin kecintaan gue dimulai dari tekstil itu sendiri. Jadi gue tuh suka sama bahan yang bagus, bahan yang nyaman, yang comfortable. Gue tuh ga suka sama bahan yang kalau yang dipegang terus... Kasar. Atau bahan yang dipegang terus kita tau nih... Yah sebentaran rusak. Gitu... Makanya gue ga suka tuh yang begitu, makanya Nikicio pun bahannya bener-bener dipilih ga sembarangan.

Waktu SMP kelas dua ketika Nina mencetuskan keinginan untuk jadi desainer. Orang tua bagaimana? Ada yang larang? 

Bokap nyokap gue ga pernah ngelarang sih. Mereka membiarkan gue menjadi apa aja yang gue mau. Cuma pelukis itu doang yang ditanya sih... "Mau makan apa?" 

Lalu ada ketertarikan lain ga selain fesyen? Hobby lain mungkin?

Ga ada sih... (Tertawa) Emang gue dah ga tau mau jadi apa. Kalau ditanya gue mau jadi apa... Kalau bukan fesyen desainer... Gue selalu jawab stylist... Muter-muter ya selalu fesyen. 

Masa depannya brand Nikico bagaimana nih sebagai label? Mau masuk kemana lagi selain Indonesia dan Singapore?

Umh... Kita mau coba Hong Kong, Asia dulu sih tapi. Kita mau coba Hong Kong, Malaysia... You know we tried Australia before, it didn't work. Tapi gapapa, kita akan coba terus. Usia brand kita sendiri masih sangat muda gitu, baru empat tahun. So... There's still a lot of rooms to grow, there's a lot of rooms buat improve. 

Pertanyaan terakhir nih Nina. Waktu pertama kali Nina meluncurkan Nikicio itu-kan ditahun 2007 dimana kami melihat Nina sangatlah groundbreaking karena saat itu brand lokal terbilang push-nya belum banyak dan konsep online store belum hype. Dari hal ini saran Nina untuk seorang desainer di luar sana apa sih? 

Berani aja sih. Ya, you know... Don't care what anybody say. Soalnya gue juga pada saat mulai ga ada yang mikir tentang ready to wear, semua couture dan terus gue melanjutkan dengan ready to wear gue... Dan itu lumayan... "Kok?!" Tapi gue ya... "Emang kenapa? Gue memang ga suka evening wear gitu. Itu bukan style gue." Memang sih gue sendiri perlu pake gown, mungkin ntar kawin gue pake gaun. Maksud gue, gue mau membuat pakaian untuk sehari-hari gitu aja sih sebenernya. Untuk orang lain dan untuk gue yang mudah untuk gue pake.

Jadi kalau kawin mau desain baju sendiri nih?

Insyaallah... (Tertawa)

Image Courtesy of Edge Models Jakarta

Perseverance, courage, and focus are the things that you could say made Nikicio's success, in a way we are all alike with Nina; we are the kind of people who knows exactly what we want, but obstacles such as prejudice dan feelings of discourage limits and even change our course of life. The difference lies with the values which each of us bring to the table in dwelling with these limitation. What we could learn from Nina's story is to always be persevere, courageous, and focus in what we want, in this world of subjectivity and vast differences, your visions are bound to have an align perception, do not question your uniqueness. It is as what the market say as the competitive advantage.

Keteguhan, keberanian, dan fokus dapat dikatakan sebagai tiga hal yang menghasilkan kesuksesan Nikicio. Satu hal yang perlu kita semua sadari ialah bahwa pada esensinya kita semua merupakan manusia yang mengetahui apa yang kita inginkan. Perbedaan yang ada ialah bagaimana kita dapat menyikapi tantangan-tantangan yang menghalangi diri kita dari mencapai apa yang sebenarnya kita ingin capai. Jadilah teguh, berani, dan fokus. Di dalam dunia yang penuh dengan subjektifitas dan pandangan yang beragam, tentunya pandangan ada yang dianggap berbeda akan memiliki satu pikiran yang berpandangan yang sama. 

CLIMBING THE FASHION LADDER

FASHION INSIGHT  

HOW TO BE A FASHION EDITOR WITH THORNANDES JAMES

Picture Copyright of Thornandes James

Often times many people look down upon fashion, labeling it unabashedly with beliefs that it is a very superficial industry, full of airheads, and gay men who dress flamboyantly and extravagantly. These kinds of perceptions makes it harder for people to gain the courage to take the decision to dive into the industry, especially in places like Indonesia, a very old-fashioned country. In this post, we'll discuss the story of one man that has broke through those barriers, a man who is so courages that he is able to stand up and believes in what he loves. Fashion. 

Banyak waktu masyarakat menilai fesyen sebagai indutri yang sangat superficial, penuh dengan orang-orang bodoh, dan pria homoseksual yang selalu berpakaian secara flamboyant dan secara extravagant. Dan presepsi seperti inilah yang membuat banyak orang sulit untuk mendapatkan keberanian untuk masuk ke indutri fesyen, terutama di negara yang sangat old-fashioned seperti Indonesia. Dalam post ini, kami akan membahas cerita kehidupan seorang pria yang telah berhasil menembus barrier-barrier tersebut, seseorang yang telah berani untuk berdiri sendiri dengan kepercayaannya akan hal yang ia cintai, yaitu fesyen.

Picture Copyright of Thornandes James

Many of you probably have always wondered, What does fashion editors do? Do their job desc only consist of being fashionable and dressing other people fashionably too while they lead a glamorous life? Or probably you wondered Is a fashion journalism really is a real job? Can we make a living out of it? Or is it just a job for the incredibly rich socialites? Or probably (for those of you who are teens) How can i break into the fashion industry? We hope that this exposé/interview will inspire those of you who are confused whether fashion is your calling to make the right decision, we also hope that it will give you the insight you need on what to do to become a great stylist/fashion editor.   

Banyak orang mungkin bertanya-tanya, Sebenarnya apa sih pekerjaan seorang editor fesyen? Apakah deskripsi pekerjaan mereka hanya sebatas terlihat stylish dan harus mendadani orang lain dengan stylish juga? Atau mungkin Anda bertanya-tanya Apakah menjadi jurnalis fesyen dapat menghasilkan hidup? Apakah itu pekerjaan? Atau apakah itu hanya perkerjaan untuk para sosialista? Atau mungkin bagi kalian para remaja, Bagaimana saya bisa memulai career di industri fesyen? Apa fesyen tepat untuk saya? Kami berharap  exposé/interview ini dapat menginspirasi Anda dalam mengambil keputusan yang tepat, dan dapat memberi Anda semua pengetahuan yang dibutuhkan untuk menjadi stylist/editor/jurnalis yang baik.

par Nicoline Patricia Malina styling, Thornandes James makeup artist & hair, Adrian Suryapradipa/B'Mgt assistant stylist, Rajasa Pramesywara  model, Yunn Ru/Model One HK

Could you tell us a little bit of yourself? What were you like as a teenager? Were your parents supportive with what you do?

I was definitely not a popular and fashionable kid and also not a nerdy geeky person, because my grades weren’t that good either. I was actually fat, my heaviest was like 96 kilos and known as a sort of grumpy and bitter person. And I was not that into fashion world, in fact I didn’t read any fashion magazine back then. I was more into reading comics and some Indonesian literature books and dealing with some extracurricular activities and school committee events.

Since I was a little kid, I was known as the rebellious one. I won’t follow my parents’ will without good reason; basically I am a very opinionated and hardheaded person. At first they always on the opposite of my every decision, but since a little kid I already have this belief. This is my life and nobody will take any decision of my life other than myself. For me, I want them to know that I’m the one who responsible for my own life because I’m the one who’s living it not them. But soon after I prove it, they are okay with it.

When did you first fell in love with fashion? Or at least know that you wanted to be in fashion?

I don’t remember exactly first time I fell in love with fashion. I only know I love to sketch dresses since I was little and I like to play with fabrics or tissues by draping them and it went all the way through high school, but I still wasn’t aware with fashion industry. I was trying lots of things like photography, event organizing, graphic designing, literatures, until I’m looking through my friend’s magazine, A+. At first I was not interested by the fashion, I was interested by their design and layouts, so I started to read it. Back then I was still exploring in photography and haven’t decided yet which photography direction I will go, and then I watch America’s Next Top Model Cycle 1 and from then on I was drowning myself into fashion photography which leads me into the fashion industry.

As for the collections that made me fell in awe with fashion were John Galliano for Dior Couture Spring 2004, Alexander McQueen SS 2005 It’s Only a Game and a Korean fashion show that was inspired by its national costume, Hanbok, and Anita Mui’s dramatic performance using a huge ball gown that later being peeled off and lots of children were started come out from the ball gown. I was mesmerized by their presentation.

Why styling? Why not design? Or fashion journalism? Styling isn't a common job, who inspired you to be one?

It’s just happened like that I think. I was wanted to go to ESMOD back then, but my parents won’t allow me. And when I was building my portfolio as a photographer, I don’t know anyone to help me so I literally was doing it all alone by myself. The models are my friends, I did all the makeup, I also learn makeup by myself by watching ANTM or other fashion related TV show, and I also decided what to wear, how to pose, etc. So I was actually learn became a stylist without knowing it, I even didn’t know what is a fashion stylist that time. It went on and on until I felt photography was not my thing nor makeup, and at that moment I also met another photographer and makeup artist who were clicked with me and on the same vision as I am, then I decided to let go makeup and photography world and remain with the styling, because that’s what I enjoyed the most.

I actually consider myself a fashion journalist; styling is only one part of my job. I gave myself fully to fashion because I first started in a media, so that’s what made me a fashion journalist. And mostly I did editorial shoot rather than commercial so I think it’s still in part of fashion journalism. When I firstly got into fashion media industry, SOAP Magazine, the first thing I say to my mentor, Syahmedi Dean, my objective here is to learn to write, that’s my first priority rather than styling. So styling is actually one of my job desc, but my real profession is Fashion Journalist.

I’m a big fan of Michael Pondaag since the first time I saw his work in Harper’s Bazaar Indonesia, and since then I was aware with that profession. So I may say that his works that inspired me to get into this industry.

Weren't you afraid that financially being a stylist/fashion editor wouldn't support you?

At first I never thought about it, I only wanted to do what I like, and I did, I did earn some money though it was not that big. But since I’m going independent in 2009, reality just slapped me hard on the face. I was very much in struggle to only do styling, so there I’m looking for other chances and opportunities from using my skills and experiences, consulting for example, and here I am. Three years on my own and I’m still here.

par Stanley Allan/ppf styling, Thornandes James wardrobe & accessories, SPOUS by Priyo Oktaviano makeup & hair, Phillip Kwok digital imaging artist, Surya P. Nugroho stylist assistant, Chekka Cuomova model, Natalya Gumilevskaya/JIM

Could you describe our readers your first experience doing a professional styling? How you felt and what was the styling for?

First professional styling as I remember is for A+ 6^th Anniversary project. They pointed 6 photographers to interpreting 6 in fashion photos, and I was helping one of my friends that got pointed, Insan Kurniawan. It was quite rough because back then I don’t know any designers or labels or I also don’t know how the goods lending process yet. With all limited resources, finally we decided to do a beauty shoot with some accessories that I lent from my friend’s boutique and I also did the makeup. At the end, it went well, surprisingly. I was very excited that time, because I was thought this could be my chance to break into the industry and at the same time I was quite nervous to not deliver the pictures and concepts through their standards, but it’s all good.

Could you give our reader a simple picture on how you're able to borrow the wardrobes for styling projects? Who do we have to contact? And what are we responsible for?

We send the official lending letter to the PR of the labels or designers and usually they will reply it with confirmation letter, and then we bring the confirmation letter to the store/workshop and start to borrow. Usually we need to check the borrowed goods first of its conditions (any minors flaws are have to be noted down on the lending form). And after we use it on the shoots, we have to return it with the same condition, and if they think we need to do some laundry then we send it to the appointed laundry service right away.

We are usually contacting the PR or sometimes directly to the designers. So it is an important thing to built a good rapport and relations to each of them. We also have to be clear with the purposes and details of the shoot. It needs a trust and professionalism to work these out.

Basically we are responsible with all the products that we borrow. If anything happens, that’s 100% our responsibility. If it’s broken or lost, then yes you have to purchase it. That’s why I always tell my assistants to take care and look after all the goods with their life. I always said better you die and the goods are safe rather than you alive and the goods are broken or lost, because when you’re die, you’re done, but when you’re alive you need to pay back all the goods and plus you’ll lost their trust, what’s the point then, unless you’re a filthy reach with money is not an object anymore, then go ahead. I am very strict about this because most of the time I deal with luxury goods. But no matter what the prices are, all the goods need to be taken care serious and delicately.

When being a contributor editor for a magazine, do the magazines tell you what to do or is it you who decide the concept and how the dresses are going to look like?

Because I’m dealing directly with the decision maker of the magazine (e.g. Editor in Chief, Deputy Editor or Fashion Director), I have more privileges rather than others. They already know my style and capabilities, so they give me their trust 100% to do it. Usually I came up with my own concept and ideas, they only give brief about the magazine style and requirements of what’s okay and what’s not in the pictures, and also the big theme of the month, then I made a concept that still in-line with the big theme and give them the list of designers and brands that I will be using on the shoot.

Now I only work like that, because when someone asks me to contribute, I consider they already know my capability and my style.

par Glenn Prasetya

styling, Thornandes Jamesmodel

Julius Ryan Karsten/Platinvm

We understand that you first worked for SOAP, men's magazine, how was the transition from menswear to womenswear?

It’s not that hard, because I started styling for women before I work for SOAP, and in SOAP I also did styling for women (for profiles, cover story, or sometimes in fashion). What I like about SOAP, it’s a men’s magazine but they’re not selling woman and their body as a main appeal, they sell ideas and vision, so I used to treat it like any other women’s fashion but I added a hint touch of sensuality from their body language or attitude, however sex do sells, but I want to portray sexuality in a subtle and classy way, and somehow it is carried into my styling style today.

How does an advertising graduate turn to be a stylist? What experience did you encountered that you decided to turn your profession?

I already decided fashion is my thing before I was graduated. I was work full time in SOAP before I was graduated, on my last year to be exact. As I mentioned previously, I wanted to go to ESMOD but my parents disapprove me. So at that moment, my second choice was communication because I was wanted to work as an event organizer (I participated in numerous events during my high school times in Labschool and did work in some couple of event organizer as the creative team and secretary). And so during my college years I’ve built my portfolios already, and on the 3^rd year it got more intense, I did work freelance for Free! Magazine and Tamasya Magazine, and in the 4^th year, I was accepting some commercial project for some musicians for their album covers and interning in SOAP and got promoted to be an in-house fashion editor later on. And to keep me focus in finishing my study soon, I made my thesis and all of my projects in college were related to fashion. After all I never feel connected and eye-to-eye with advertising industry since in my 2^nd year in college, but since it was my decision to take advertising as my study at the first place, so I have responsibility to finish it.

Do you enjoy being a creative consultant for Indonesian designers? Why?

I enjoy it so much! Because as a consultant you are not the boss and controlling the designer’s creation, you are paid to give inputs and constructive criticisms as well as you give them choices of solutions to it. So it’s like a partnership. I have to learn about their style, and have to put my shoes and think like them. The common mistakes when people is being hired as a consultant is they tend to drive the designers to make a creation or collection they want, and somehow it may make the designer lose their style. My job as a consultant is to keep the designers focus on the concept and shaping their collection to be relevant to the objectives or trends and gets its best on the presentation. I’ll give my point of view as a journalist, so they know what’s the weak point of the collection and they will improve and fix it before it is presented to the public. Being a consultant is a constant learning and synchronizing process that involves chemistry, trust, and psychology.

Name local and international fashion editors/ stylists that you love.

Local: Michael Pondaag

International: I don’t know, because I never follow them from the first. Yes I look at references but I used to research it after I polished my concept first, so I can’t mention any names.

par Julius Bramanto Zulkarnaen styling, Thornandes James R. makeup & hair, Phillip Kwok assistant makeup & hair, Bonniedegio assistant stylist, Rajasa Pramesywara & Retno Prasasti model, Kotuleva Yulia Gennadevna

What are your favorite magazines (local / international)?

Local: Magazine that features my works. 

International: Numero, Vogue UK, ELLE UK

Which designers (local / international) inspire you the most? Name your favorite designers.

Local:

I adore Irsan for his crazy ideas and passion to it. My conversations with him never fail to inspire and amuse me. I also adore Biyan for his magnificent presentation and his balance between the idealism and commercialism. Every presentation that he did always makes me wants to write and tell a story of it, he’s such a great storyteller through his collection and presentation.

Favorite Designers: Irsan, Biyan, and Adrian Gan

International:

Alexander McQueen, he is one of a genius both in his craftsmanship and presentation. He uses his presentation show as his art installation. I just bought his book, and I think I can make millions of concepts inspired by his works. I also adore John Galliano because he is, also, such a brilliant when making a collection and presentation, everything is just polished and impeccable. He and McQueen both share the same mind, McQueen is the dark version of Galliano, and Galliano is the pretty version of McQueen.

Favorite Designers: Alexander McQueen, John Galliano, Viktor & Rolf, Alber Elbaz, Domenico Dolce & Stefano Gabbana, Stella McCartney, Raf Simons, Ricardo Tisci. Christopher Bailey, and Stefano Pilati.

If you could work with anyone, who will it be? 

Numero is my obsession and who doesn’t want to work in Vogue.

What are the perks being a stylist? And what are the down sides of being a stylist?

The advantages of being stylist are sometimes you get freebies and the most important is you never stop learning. Being a stylist means you need to do research before doing something, so you always learn new things, from simple common things about fashion and trends to history or tradition or even how to hold a sword in fencing or terms in ballet or got a new life philosophy.

The down sides are there are many people still look down to this profession, people, especially commercial industry, still thinking that stylist is only a wardrobe staff and often treat us as not supposed to. You are responsible for all the goods that borrowed; it’s a job that full of risks. You also need to accommodate all the team, become a stylist for me is like a project leader, and you need to make sure everything is go well and the objectives are achieved, so you’re constantly feel nervous and thinking of backup plans etc.

par Julius Bramanto Zulkarnaen styling, Thornandes James R. makeup & hair, Giacomo model, Yuliya Gennadevna

Do you have any wise advice to our readers who wanted to be a stylist/ fashion editor? 

Never stop learning, respect others if you want to be respected, if you’re a newbie better to keep silence no matter what people did to you, just do your best, actions speak louder than words. There’s no instant way to be on top, people often think I was very lucky to be in this position in quite soon, but they don’t know how hard I work, my capabilities, and how long I tried to get into the industry before I made it through. Learn to embrace the process not just the results.

Movies like Devil Wears Prada and September Issue is actually a good reference to look at, but most people take it the wrong way. They try to act or try to be like Anna Wintour, the situation is far different from our industry in reality. Need to be reminded, they are Vogue US which they have the power and access in the industry worldwide, what they put in their magazine does have an impact in the world. While our media is not that powerful, we can’t be that strong opinionated kind of media, and we need good relations with designers and labels, it’s a symbiosis mutualism relationship. While the value of those movies actually you can see the process of making fashion shoots, the details in the concept, choosing topics, for articles, and all the work process and their roles in it.

People tend to think fashion is shallow glamour and easy, in fact what it seen doesn’t look like it seems, because in our industry packaging is everything. We do judge a book by it’s cover, when people say what the importance is the inside not the outside, for us, what the importance is both inside and outside, it’s a full package or not at all.

And finally, what more do you want to achieve in life? 

Sky is the limit. I still want to try other things and possibilities in fashion industry. But no matter how, my heart, passion, and soul are still in media. So, maybe hopefully somewhere in the future, I will back in publication. 


Thornandes James is a inspiration to all of us, at such a young age he has able to accomplished so much. Just like Anna Wintour, he had the ability to expand himself, having no satisfaction for what he has achieved and now he has broaden his horizon. If Anna Wintour is able to be a consultant for numerous house hold fashion houses the likes of Oscar De La Renta, and Proenza Schouler, Thornandes has had the privilege to be the consultant to the likes of Indonesian fashion extrodinaire such as Priyo Oktaviano and Andreas Odang.